Bruno Mondi Net Worth is
$11 Million

Mini Biography

Director of Pictures, Bruno Mondi, shot over 100 films. He developed great silent films in the 20ties, revue movies in the 30s, propaganda movies in Nazi Germany from the 40s, anti-fascist movies in the Soviet area of Germany in the 50s and entertainment movies in Western Germany in the 60s. In 1918 he started his career like a trainee in the Bioskop-Film in Berlin. By 1921 he was camcorder associate on Der müde Tod (1921) by Fritz Lang. Between 1924 – 1932 German movie theater was at the very top, and Bruno Mondi shot 26 extremely successful movies like Die tolle Lola (1927) with superstar Lilian Harvey, or Das Woman von der Revue (1928), that was highlighted in Berlin’s Roaring Twenties. In 1932 Bruno Mondi met Veit Harlan as an professional in _Unsichtbare Front, Pass away_. 1935 Harlan aimed his initial film _Krach im Hinterhaus (1935)_ with Henny Porten in the primary function and Bruno Mondi on the camera. three years afterwards Harlan became one of the most effective movie director in Nazi Germany. Until 1945 Bruno Mondi and Veit Harlan produced 11 movies, including as movies as Die goldene Stadt (1942), that was the initial Western european feature film in color, Der große König (1942) and Kolberg (1945), even now the largest historical German battle movie, as well as the anti-Semitic propaganda film Jud Süß (1940), that will remain one of the most notorious film permanently. After World War II Bruno Mondi continued functioning at films without the problems, whereas Veit Harlan continues to be accused of aiding and abetting genocide. Mondi shot socialist-style re-education movies in the Soviet area like Wozzeck (1947) and Rotation (1949). With large effort they produced the story book Das kalte Herz (1950), the initial color feature film from the German Democratic Republic, which got worldwide recognitions for the amazing special effects. From then on Mondi switched once again and visited Western Germany to take another 33 films, many of them entertainment feature movies, and lots of them with incredible success again, just like the “Sissi”-movies with fresh Romy Schneider. Bruno Mondi is a luminous example for an excellent and inventive cameraman and a frightening example for an ideal technician, not requesting the purpose of his work.

Known for movies