David W. Leitner Net Worth
Complete Wiki Biography of David W. Leitner, which contains net worth and salary earnings in 2023. David W. Leitner body measurments, height, weight and age details. David W. Leitner wiki ionformation include family relationships: spouse or partner (wife or husband); siblings; childen/kids; parents life. Wiki Bio of David W. Leitner net worth is updated in 2023.
David W. Leitner Net Worth is
David Leitner is really a manufacturer, cinematographer, and DP on tv, feature-length documentaries and show films. A previous I.A.T.S.E. 644 Movie director of Picture taking, Leitner provides photographed for documentary directors Fred Wiseman, Allan Miller, Alan Berliner, Joe Berlinger, DeWitt Sage, Oren Rudavsky, Doug Stop, Judith Helfand, as well as the group of Louis Alvarez/Andrew Kolker/Paul Stekler. He provides crucial credits in over forty feature-length documentaries filmed in the united kingdom, South & Central America, East & Western world Europe and previous Soviet Union, including as movie director/manufacturer/DP, Vienna DIFFERS (1989 Berlin Film Celebration, 1990 Sundance competition, 1990 SAN FRANCISCO BAY AREA Film Festival, Particular Jury Prize). As Co-Producer, his 1990 Oscar-nominated FOR MANY Mankind, also earned the 1989 Sundance Jury & Viewers Awards, Greatest Documentary. As Affiliate Manufacturer, his The Gate Of Heavenly Peacefulness was shown on the 1995 NY Film Celebration, 1996 Berlin Film Celebration. He was nominated to get a 1999 Emmy for cinematography for Marion Cajori’s Portrait-In-Progress: Chuck Close. Various other cinematography credits consist of PBS/Frontline’s Schizophrenia: Broken Brain (four nationwide broadcasts, 1990), Alan Berliner’s Nobody’s Business (1996 NY Film Celebration, 1997 Berlin Film Celebration), and Christian Baudissin’s Pass away Slocum Brennt! (1999 German broadcast). Dramatic features consist of Gabriela Rangel’s Corazones Negros (Venezuela, 1994) and Diane Orr’s cross types documentary/drama, Shed Forever With Everett Ruess (2000), which he also created and Trembling before G-d (2001). As Movie director of New Technology at Du Artwork Film Laboratory within the 1980s, he created enhancements in 16-to-35mm blow-ups, film camcorder lens tests, film timecode, and film-to-tape exchanges. He is the writer of over 100 content on film background, theory, and technology in Filmmaker, Millimeter, The Individual (developed “In Concentrate” column, 1981-88), International Documentary, In Movement, Variety’s On Creation, Digital Magic, RES, as well as the SMPTE Journal; he also composed Eastman Kodak’s booklet, Creating Better Video with 16mm Film  Lately Leitner aimed his initial dramatic feature, My Sister’s Wedding ceremony (2001), an enchanting humor filmed in hi-def digital video for transfer to 35mm. Being a manufacturer he must his credit: The Techie Article writer (2003) and Swimmers (2005) & most lately Thoughts of Overdevelopment (2005), stick to to possibly the most well-known Cuban film of most times: Thoughts of Underdevelopment (1968) both predicated on books by Cuban writer Edmundo Desnoes.
Known for movies