Don Weis Net Worth is
$800,000

Mini Biography

Milwaukee-born Don Weis began being a director of light-hearted, often youth-oriented entertainment. After graduating in film research from the School of Southern California in 1942, he got his initial work as an errand guy at Warner Brothers. He noticed wartime service like a specialist with the very first Motion Picture Device from the U.S. Military Air Corps, mixed up in production of teaching movies at Culver Town. After the battle he resumed his apprenticeship with Business Productions like a dialogue movie director and associate on several photos made by Stanley Kramer. In 1951 he was authorized by Dore Schary to a two-year agreement at MGM, producing his directorial feature debut using the newspapers expose Bannerline (1951). This is accompanied by a string of light comedies and musicals of broadly varying quality. One of the better of the number was the cheerful George Wells-scripted and -created musical I REALLY LIKE Melvin (1953) starring Debbie Reynolds and Donald O’Connor, highlighted by several exuberant dance routines and an interesting dream sequence where Debbie sings “A FEMALE Loves”. There is also a younger college humor, The Affairs of Dobie Gillis (1953), and a satisfying small sword-and-sandal outing designed for Fox, entitled The Journeys of Hajji Baba (1954). Of substantially less interest had been two inane entries in the “seaside party” genre targeted specifically in the young marketplace: the sleep-inducing, apropriately-titled Pajama Party (1964) as well as the actually sillier The Ghost in the Invisible Bikini (1966), which unfortunately wasted the skills of such superb display veterans as Boris Karloff and Basil Rathbone. It didn’t obtain any better using the decidely laborious and unamusing farce Do You Hear the main one About the Touring Saleslady? (1968). Though conceived by two talented authors (Wayne Fritzell and Everett Greenbaum) who later on gained a well-deserved popularity because of their rather wittier collaborative work on M*A*S*H (1972), the humour was as apparent as the name might recommend. The project, predictably, didn’t make a display screen superstar out of Phyllis Diller. In 1954 Weis begun to immediate episodes for tv, a moderate to which he found himself eminently suited. Throughout another 30 years he became among TV’s busiest directors and perhaps one of the most achieved, earning six annual honours in the Directors Guild of America. Varying across every known genre, he was similarly relaxed helming the iconic Batman (1966) as he was behind the surveillance camera of some 58 shows of crime-busting, wheelchair-bound Ironside (1967), or guiding four of the greatest installments from the cult series Kolchak: THE NIGHT TIME Stalker (1974). Weis attained his greatest achievement directing a brace of the very most enduring episodes from the long-running and much-loved medical humor “M*A*S*H*”. Pursuing his pension he presided within the Motion Picture Long lasting Charities Committee (PCC) and offered on the plank of the brand new Mexico Film Council.

Known for movies