Frank Alexander Net Worth

Complete Wiki Biography of Frank Alexander, which contains net worth and salary earnings in 2023. Frank Alexander body measurments, height, weight and age details. Frank Alexander wiki ionformation include family relationships: spouse or partner (wife or husband); siblings; childen/kids; parents life. Wiki Bio of Frank Alexander net worth is updated in 2023.

Frank Alexander Net Worth is
$11 Million

Mini Biography

Frank “Fatty” Alexander was an obese comedian who appeared in silent 1- and two-reel slapstick comedies like a side-kick before co-starring with two additional heavyweights, Hilliard Karr and ‘Kewpie Ross’ in F.B.O.’s low-budget “Lot of Fun” series by the end from the silent period. Given birth to in Olympia, Washington on, may 25, 1879, Frank Alexander was a cowboy and stage drivers ahead of ballooning up in excess weight and turning his interest from the shiny lights from the open up spaces to the people of Hollywood. He made his display debut with Keystone to get display comedian Syd Chaplin in Gussle’s Backward Method (1915), the eighth of Chaplin’s 9 “Gussle” comedies, and his debut seeing that his own movie director. Ironically, Syd — Charles Chaplin’s old half-brother — acquired made his very own acting debut the entire year before in Fatty’s Wines Party (1914), with the fantastic guy himself, Roscoe “Fatty” Arbuckle, after whom Alexander modeled his display screen persona. Paramount’s biggest superstar during his fall from sophistication after his three manslaughter studies for the loss of life of Virginia Rappe, the initial “Fatty” at 266 pounds. couldn’t match Frank Alexander, who topped the range at 350 pounds. Although Syd Chaplin ongoing along with his Gussle character for just one even more movie, Alexander didn’t appear as his sidekick, although he stayed in the Keystone lot. His following appearance was being a fireman within the Mack Swain automobile When Ambrose Dared Walrus (1915). After shifting to Fox for two comedies with Harold Lloyd in 1917, Alexander captured on with comedian Larry Semon, a white-faced comedian whose display screen reputation and income rivaled that of the fantastic Charlie Chaplin himself. Alexander joined up with Semon’s stock firm at Vitagraph alongside Oliver Hardy, whom Alexander made appearance as svelte seeing that his potential partner Stan Laurel. From 1918’s Pluck and Plotters (1918) to 1925’s AN IDEAL Clown (1925), Alexander seems in 27 Semon movies, including Babes and Boobs (1918), Bathing Beauties and Big Boobs (1918), and Boodle and Bandits (1918). Child Swiftness (1924) was regular of Semon’s two-reel farces which were filmed quickly on the Charles Ray Studios. Fatty played Avery DuPays (a pun in avoirdupois), the city’s wealthiest man, who’ll marry away his girl Lou (Dorothy Dwan) to whomever wins the best Auto Competition. The Speed Child (Semon) and Harmful Dan McGrew (Oliver “Babe” Hardy) are deeply in love with Lou, but she appears to prefer the Child (her true to life spouse, Semon). Fatty’s personality mementos the wealthier McGrew, who sabotages the brakes within the Kid’s competition car. Not surprisingly problem, or even more likely, due to it, — a child wins both race and the lady. The complete second reel features the competition, which features The Speed Child barreling by way of a plantation house and rising covered within a sheet, hence causing the specter from the Ku Klux Klan and scaring his African- American sidekick/mechanic Spencer Bell (frequently billed by Semon using the extremely imaginative moniker “G. Howe Dark” and mainly compelled to play the crude stereotype). At one stage, previous world’s heavyweight boxing champ Adam J. Jeffries (the fantastic White Wish himself!) comes on-screen being a blacksmith merely to punch “Babe” Hardy within the nasal area! Alexander ended his association with Semon after using Dorothy’s dad in Semon’s “Wizard of Oz” (1925), a container workplace flop that finished off Semon personally and professionally. Frank Alexander produced avoirdupois, otherwise screen background, as “Fatty” Alexander, section of “A huge amount of Fun”, among three very unwanted fat comedians who made an appearance in some two-reel slapstick comedies made by ‘Joe Rock and roll’ from 1925-1927. The group produced its debut in 1925’s Tailoring (1925), with Fatty utilizing the moniker ‘Tiny’ (which Alexander also found in “All TANGLED UP” (1925), directed by and co- starring beanpole comic professional Slim Summerville. The pants were created by Poverty Row studio room Regular Photoplay Co. and released by Joseph P. Kennedy’s Film Reservation Workplace (F.B.O.), the precursor to R.K.O Radio Images. Advertized by F.B.O. because the “three fattest guys on the display screen, “Fatty romped over the display screen along with fellow extra fat males Hilliard Karr (a.k.a. “Extra fat” Karr) and Kewpie Ross in 34 pants, many using the adjective “Weighty” within the name (The Weighty Parade (1926), Weighty Fullbacks (1926), Weighty Infants (1928) as well as the strangely called Heavyation (1926)). Also billed as “The Three Fatties”, the “Lot of Fun” group offered probably the most anarchic humor per pound offered by enough time or after. Within the series admittance Three of a sort (1981), The Three Fatties play entertainers in a nightclub/restaurant. Promptly, a mêlée breaks out between your audience and A huge amount of Fun, using the expected consequence of dining tables overturned and meals smashed. After making the final “Ton of Fun” comedy in 1928, A Joyful Day (1928), Alexander became a supporting player at Hal Roach Studios in two of director Leo McCarey’s shorts, Feed ’em and Weep (1928) and Madame Q (1929) starring Edgar Kennedy. Using the coming from the audio period, Fatty Alexander’s profession tailed off. At Roach, he made an appearance to get ‘Harry Langdon’ within the Shrimp (1930), but was after that bounced around one of the studios, including Roach, General and R.K.O., playing little bit parts as unwanted fat men. He made an appearance to get Zazu Pitts in two of her comedies, after that did a submit the first ‘George Stevens’ humor The Kick-Off! (1931). His last film was 1933’s “The Barber Store” starring W.C. Areas, where he made an appearance as within an unbilled bit component. Frank “Fatty” Alexander died in Sept 8, 1937 in LA, California. He was 58 yrs . old.

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