Jed Riffe Net Worth is
$1.4 Million

Mini Biography

Jed Riffe can be an award successful film director, interactive & fresh media producer. Riffe created an effective theatrically released documentary, nine nationally broadcast general public television special offers including a four-hour series and four main interactive applications. He is most widely known as the movie director from the award-winning movies “Ishi, the final Yahi,” the real story of the person known as the final Crazy Indian in THE UNITED STATES, “Who Owns days gone by?” the American Indian struggle for control of their ancestral continues to be, “California’s ‘Shed’ Tribes” which examines the effect of Indian video gaming on Native People in america and their non-Indian neighbours and “Waiting around to Inhale: Cannabis, Medicine and regulations.” Riffe released “Ishi, the final Yahi” theatrically in america where it performed in over 46 different theaters. Riffe created and offered as series maker around the nationally broadcast, individually created public tv series “California as well as the American Wish.” He and his firm Jed Riffe Movies + Electronic Mass media created two from the four hour-long applications in the nationally broadcast series like the award-winning movies “Ripe for Transformation” and “California’s ‘Lost’ Tribes.” Lately, Riffe executive created Mo Morris’ “A FRESH Color: The Artwork to be Edythe Boone;” Emiko Omori’s “To Chris Marker, An Unsent Notice” and Luke Griswold-tergis’s “Smokin’ Fish,” one hour lengthy documentary on Tlingit lifestyle and lifestyle. He offered as consulting manufacturer responsible for post-production for “Heist: Who Stole the American Wish.” Riffe happens to be completing making and post-production supervising movie director Stephanie Welch’s “In the Name of the Gene.” Riffe’s various other major credits consist of interactive producer from the initial Africana Interactive Learning Middle at Merritt University; interactive manufacturer/article writer for four interactive displays for the Autry Museum of American Background; interactive manufacturer and article writer for the award-winning “Community Broadcasting IN PUBLIC AREAS.” Riffe and his group designed, programmed, constructed and set up four innovative, interactive mass media kiosks with 160 a few minutes of specifically edited interactive articles in the “California as well as the American Wish” series. Riffe composed, created and aimed “Television of Tomorrow,” an interactive prototype demonstrating the feasible ways interactive articles might show up on television in the foreseeable future. In 1990, Riffe created 86 a few minutes of video for three interactive Background Information Stations, on the Oakland Museum of California. Riffe and his mass media projects have gained over 35 nationwide and worldwide film festival honours, and been the receiver of five NEH preparing and production grants or loans, and a NEH Chairman’s Discretionary prize for “Who Owns days gone by?” He in addition has received major financing in the Ford Base, the Skirball Basis, the Rockefeller Brothers Basis, PBS, the organization for General public Broadcasting, Sundance Documentary Film System, Native American General public Telecommunications, Latino General public Broadcasting, Middle for Asian Press, Wallace Alexander Gerbode Basis, Fleishhacker Basis, LEF Basis and twenty-seven condition humanities councils. He’s honored to become both a Sundance Documentary Film System Fellow/Alumni and a Gerbode Fellow for Superiority in nonprofit Administration.

Known for movies