Mark Le Brocq Net Worth is
$700,000

Mini Biography

Tag Le Brocq held a choral scholarship or grant in St. Catharine’s University, Cambridge where he browse British. He also examined on the Royal Academy of Music with Kenneth Bowen and afterwards continued on the National Opera Studio room. He was formerly an organization principal with British Country wide Opera, where assignments included Tamino The Magic Flute, Paris Ruler Priam, Count number Almaviva The Barber of Seville, Narraboth Salome, Cassio Otello, Don Ottavio, Monostatos, Tonik in Smetana’s BOTH Widows, Rodriguez in Massenet’s Don Quixote, Odoardo Ariodante, Nathaniel The Stories of Hoffmann and Doctor Maxwell The Sterling silver Tassie. Mark’s visitor appearances have got included the name function of Idomeneo for Opera North Ireland, Belmonte in Pass away Entführung Aus Dem Serail for Garsington Opera, The Fairy Queen on the Aix-en-Provence Celebration with the Gran Teatre del Liceu, Barcelona, Pinkerton in Raymond Gubbay’s creation of Madama Butterfly, name function Il Ritorno d’Ulisse in Patria for Chicago Opera Movie theater, The Fairy Queen for Il Coro della RTSI, Lugano, Handel Joshua in Maulbronn, Lucio Silla in Italy, Witch Hänsel und Gretel for Opera North and Kurt Weill’s Seven Deadly Sins for the Royal Ballet in Covent Backyard. Between the directors with whom he spent some time working are David Alden, David Pountney, Jonathan Miller, Niklaus Lehnhoff, Graham Vick, David Freeman, Tom Cairns, Francesca Zambello, Richard Jones, Costs Bryden and Tim Albery. Mark offers performed being a recital and oratorio soloist in america, France, Germany, Spain and the center East, in addition to all the main London locations. He has made an appearance using the Gabrieli Consort and Paul McCreesh at celebrations throughout European countries, having sung such functions as La Resurrezione, Saul, Solomon, The Fairy Queen, Mozart’s Requiem and Bach’s St. Matthew Interest using the ensemble. Various other concert engagements possess included Mozart’s Requiem using the British Concert and Trevor Pinnock in Salzburg as well as for the BBC Proms; Verdi Opera Galas in Shower and Hampton Courtroom with Montserrat Caballe and Dennis O’Neill; Verdi and Mozart Requiems on the Barbican; Beethoven’s Mass in C and Choral Fantasia on the Queen Elizabeth Hall; Messiah using the Ulster Orchestra/Nicholas Kraemer; Schubert’s Mass in E Level using the BBC Symphony Orchestra/Jiri Belohlavek; the united kingdom premiere of Strauss’s The Donkey’s Darkness with Sir Peter Ustinov on the Covent Backyard Celebration, Oebalus Apollo et Hyancinthus for Opera Theater Firm as well as the Classical Opera Firm and Agenore Il Re Pastore for the Classical Opera Firm. He has documented Ruiz Il Trovatore, Pang Turandot and Remendado Carmen for Chandos, Samson, Saul and Judas Maccabeus in live recordings in the Maulbronn Celebration, Purcell’s Hail Shiny Cecilia using the Gabrieli Consort for DG and Handel’s Utrecht Te Deum, Boyce’s I USED TO BE Glad using the Choir of St Paul’s Cathedral/John Scott for Hyperion and Offenbach’s Vert-Vert for Opera Rara. He shows up in the movies of Ariodante as well as the Fairy Queen for RM Arts. Additional engagements include Verdi’s Requiem using the Jersey Symphony Orchestra, performances of Tristan und Isolde conducted by Donald Runnicles and Goldschmidt’s Mediterranean Songs using the BBC Symphony Orchestra, Handel’s Dixit Dominus on the BBC Proms, Bach’s B Small Mass using the Israel Camerata, Elgar’s The Imagine Gerontius at Dunblane Cathedral, Berlioz’s Grande Messe de Morts in St Paul’s Cathedral, Bach’s St Matthew Interest with the British Chamber Orchestra, Mozart’s C Small Mass using the Scottish Chamber Orchestra conducted by Sir Charles Mackerras, Handel’s La Resurrezione with Chicago Opera Theater conducted by Jane Glover, Orff’s Carmina Burana using the Ulster Orchestra as well as the Royal Liverpool Philharmonic Orchestra, Handel’s Saul as well as the premiere of Kate Pearson’s The Pied Piper for Opera North, Messiah in Lucerne with Collegium Instrumentale Brugense, Bach’s St Matthew Interest in Lahti, Messiah in Königslutter, Eliates Croesus for Opera North, Christmas Oratorio at Cadogan Hall, St Matthew Interest at Symphony Hall, Birmingham for the British Chamber Orchestra, Monostatos Die Zauberflöte for Opera Holland Park, Mozart Requiem in Spain, St Matthew Interest at Bridgewater Hall and name function Mitridate for the Classical Opera Company. Engagements in 2010/2011 include Messiah (The Sage, Barbican), Weinberg’s The Family portrait and Shapkin Home of the Deceased for Opera North and Imagine Gerontius in Bury St Edmunds Cathedral.

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