Meng Xia Net Worth is
$700,000

Mini Biography

Xia Meng (a.k.a Hsia Moon or Miranda Yang), given birth to Yang Meng in 1933 in Shanghai, China, is a prominent Hong Kong celebrity and film maker. She was an integral shape of Hong Kong’s left-wing Mandarin film scene. In 1947, Miranda Yang Meng moved with her family to Hong Kong, where she attended Maryknoll Convent College. In 1949, with the school’s event, she was selected to play the best part in the school’s British language creation of Saint Joan. Xia Meng joined THE FANTASTIC Wall Studio room in 1951 and was presented with her first part as the name personality in Pingqian Li’s Jin hun ji (1951) (A Night-Time Wife), rocketed to stardom in her debut. The humor was popular and decades later on, sticks out as an authentic traditional of Hong Kong movie theater. Many other strikes followed. There is the tragic demimondaine of Ri cu (1956) (Sunrise), and, at her greatest, as the virtuous widow in Xin gua (1956) (A Widow’s Tears) (both 1956), as well as perhaps most incredibly, her gender-bending switch as a guy masquerading as a female in the all-female Shaoxing opera humor Wong lao hu qiang qin (1960) (The Bride-to-be Hunter). Xia Meng’s elegance, skill, and beauty has made her the prima donna of Hong Kong’s left-wing Mandarin film scene, and in addition among the Chinese-cinemas brightest celebrities in 1950s-1960s. In 1959, Xia Meng surfaced as the utmost celebrated celebrity in the Hong Kong TOP Mandarin CELEB Election, arranged by THE FANTASTIC Wall structure Pictorial. Without doubt she actually is dubbed as the ‘Crown Princess’ of Great Wall structure. (The ‘second princess’ is normally ‘Hui Shi’ (Hwei Shek), as the ‘third princess’ is normally Sisi Chen (Sze Sze Chan). Three leading females were well known as Great Wall’s Three Princesses) A uncommon actress who embodied the beauties of today’s woman and the ones of the historical maiden, Xia Meng was frequently referred to as “the God’s Masterpiece,” and she was mostly of the Hong Kong celebrities whose movies were released in the People’s Republic of China prior to the Cultural Trend. She exuded glamour in a fashion that was then no more allowed among her mainland counterparts. In 1967, feeling insecure and threatened following starting from the ethnic revolution, Xia Meng, who was simply pregnant at that time, excused herself from being involved with this grand politics movement. Immediately after, she completed the screen functionality in Ying chun hua (1968) (Oh, The Springtime IS HERE NOW) in Sept, she resigned in the studio, and silently still left for Canada also prior to the film premiered. It wasn’t until 2 yrs afterwards that she came back to Hong Kong, and began the business enterprise in garment processing, which she held a distance in the film industry for approximately 10 years. In 1980, Xia Meng returned and formed Bluebird Film Companies Ltd, and produced the debut film _Tou bun zero hoi (1982)_ (Sail boat People) (directed by Ann Hui), an extremely acclaimed movie and landmark feature for the Hong Kong New Wave, which earned several awards like the best picture and best director in the next Hong Kong Film Award. Two even more films were created before Xia Meng retired. On her behalf contribution towards the film industry, Xia Meng includes a star with hand printing and autograph with the name of Miranda Yang for the Avenue of Stars in Tsim Sha Tsui Promenade, Hong Kong, and in August 2005, China honored 128 celebrities within a commemorative stamp collection marking a century of Oriental cinema, Xia Meng was among the honorees.

Known for movies