Stig Olin Net Worth is
$7 Million

Mini Biography

A distinguished actor, movie director and composer in Sweden; Stig Olin produced his success in lots of regions of the Swedish entertainment business in the 1940s and 50s. As an professional, he claimed achievement when he performed boyish individuals and naive learners on film. He was the professional who eventually had taken the state of playing Ingmar Bergman’s alter-ego in lots of of his early movies, including; Torment (1944) (Bergman’s script debut), Turmoil (1946), Kvinna utan ansikte (1947) (Bergman composed the script), Interface of Contact (1948), Jail (1949), Right up until glädje (1950) and Summer months Interlude (1951). Stig Olin after that continued to directing some movies himself in the 1950s: he not merely composed film scripts but also aimed these movies himself, aswell. As a movie director, his greatest film is most likely his on-screen adaption of children-novelist Astrid Lindgren’s Rasmus, Pontus och Toker (1956); an excellent traditional children’s film (extremely beloved in Sweden) to which Olin also constructed the music rating and in addition acted the significant supporting component as the dubious antique seller “Ernst”, that the youngsters in the film run into. Stig Olin after that abruptly – quite amazingly, in fact – (as he’d under no circumstances been trained particularly in music) demonstrated his talent being a composer when he found write many tracks (both music as well as the lyrics) that today are believed to be traditional evergreens/music/schlagers in Sweden: “På söndag” (On Weekend), “Karusellvisan” (documented by himself), “En gång jag seglar i hamn” (documented by himself), “Jag tror på sommaren” (documented by boy Mats Olin) and “Människors glädje” (documented, a.o., by his girl; celebrity Lena Olin in the 1970s). Stig Olin sang and performed a whole lot along with his wife in those days; Britta Holmberg, both on stage and on the air (where in fact the Olin-family got their very own radio show for quite some time in the 1950s and 60s). Moreover, he also frequently worked on the Swedish Radio with many other displays/programs and became an extremely appreciated director for the Swedish Radio Theatre (Radioteatern). In 1970, he became Movie director of Programs at Swedish Radio and, following that on, found work almost solely in the air business in the 1970s and 1980s. Still, he aimed several has and musicals at different personal theatres in Stockholm in the 1950s-1980s (like the first Swedish staging from the Stephen Sondheim musical, “JUST A LITTLE Night Music”, predicated on the Ingmar Bergman humor, “Smiles of the Summer Evening”) and he provides written numerous theater sketches for all sorts of revues and produced the music preparations for most musicals throughout his lifestyle. His greatest on-screen shows in films consist of: Torment (1944), Kvinna utan ansikte (1947), Right up until glädje (1950), Summer time Interlude (1951), En fästman we taget (1952), Klasskamrater (1952), The Yellow Squadron (1954), Sceningång (1956), Rasmus, Pontus och Toker (1956) and Jim & piraterna Blom (1987).

Known for movies