Sue Casey Net Worth is
$800,000

Mini Biography

While other actresses could have long abandoned a stalled career out of pure frustration after decades of extra/bit parts and little praise, perennial starlet Sue Casey in some way found the strength to keep … for six years! In movies from 1946, the voluptuous brunet, for the most part, became a campy vixen in a few 1960’s “drive-in” bombs, however has always kept an amazingly appreciative outlook concerning how things proved. Given birth to in Southern California on Apr 8, 1926, her family members lived in the Beverly Hillsides area (her dad was a constructor) during her delivery but was forced to go following the crash from the currency markets in 1929 to a far more modest part of city. While Sue indicated no early desire for acting, her Western Coastline beauty was undeniable and it didn’t consider a long time before the teen caught the attention of a skill agent who persuaded her to try using the well-oiled dream line, “How do you want to be a celebrity?” The exhausting path that Sue required in that greatest pursuit is currently one for the Hollywood annals. Making the most common audition rounds, Sue’s first extra portion was included with the lightweight MGM film Visit to Mexico (1946) for Samuel Goldwyn. A married lady at that time with a kid in tow, she discovered her next are Danny Kaye’s manager’ secretary in the THE TRICK Existence of Walter Mitty (1947). Advertised by the studio room being a “Goldwyn Young lady,” Sue dutifully went to all the essential premieres, parades, night time parties, parades, style and charity occasions — anything to help expand progress herself. To health supplement her studio room income, Sue proved helpful as a professional photographer and artist’s model. Normally, between 1948 and 1955, almost all of her one-dimensional on-camera assignments revolved around her beauty and figure. A diverting existence in the most common MGM humor or drama such as for example Blondie’s Big Offer (1949) and THE FANTASTIC Sinner (1949), she supplied classy set decor for the studio’s excellent Golden Age group musicals aswell, including Phrases and Music (1948), Nancy Would go to Rio (1950), Annie GET THE Gun (1950), Display Vessel (1951), An American in Paris (1951), The Music group Wagon (1953), Deep in my own Heart (1954), as well as the Esther Williams going swimming extravaganzas Neptune’s Child (1949) and Mil Buck Mermaid (1952). Quite often she would become directed to additional main studios — Paramount, Columbia, Common and Warner Bros. — and offer fetching atmosphere there. Movie director Raoul Walsh once complimented her as “the most amazing extra in photos today.” From the mid 1950s Sue had still barely place two lines collectively on display and after filming the nondescript elements of a snake charmer in 3 Ring Circus (1954), a sunbather in Rear Window (1954) and a harem young lady in Son of Sinbad (1955), made a decision to take the time from the cameras and focus on family. She continued to possess three more kids. By 1959, nevertheless, Sue was back front from the lens as stunning as ever but this time around the focus was on Television. Successfully building herself as a healthy commercial celebrity, she pitched from cereal to cars in over 200 tasks. Light TV visitor parts also emerged her method in shows of “The Lucy-Desi Humor Hour,” “The Bailey’s of Balboa,” “The Dick Vehicle Dyke Display,” “The Farmer’s Child,” “The Beverly Hillbillies,” and “Family members Affair”, among several others. For the silver screen, nothing at all changed. Obscure little bit/extra parts continuing with Bells Are Buzzing (1960), The Women Man (1961), Breakfast time at Tiffany’s (1961), FOURTEEN DAYS in Another City (1962), A FRESH Kind of Appreciate (1963) as well as the Carpetbaggers (1964). Finally, after almost 2 decades of pursuing her dream in Hollywood, Sue nabbed a respected role! As “poor female” Vicky Lindsay in what’s arguably among film’s biggest “turkeys” ever, The Beach Women as well as the Monster (1965), Sue obtained a notoriety that resulted in minor cult position. The film got a nonexistent spending budget and was received badly in every method, form and form upon its preliminary release. Sue actually had to accomplish her own locks and make-up and forced to choose her vixen character’s clothing from her personal closet. The stars were by no means paid before movie was offered years later on to Television (retitled “Monster from your Surf”) which was only pittance. Over time the movie offers gained a pursuing. Two other dismissible co-star functions in two other unmemorable campy films followed for Sue. She performed a hillbilly mother in the fugitive episode Swamp Nation (1966) that starred pearly-toothed pre-Carol Burnett hunk Lyle Waggoner, and a manipulative mother and artwork forger in Catalina Caper (1967). This film starred previous Disney superstar Tommy Kirk after his fall from studio room sophistication, and (once again) Lyle Waggoner. In old age Sue developed an effective real estate industry. She’d also find performing work (frequently lacking any agent) intermittently on film and Television. Featured in several higher-scaled film musicals — as a female attendant to Vanessa Redgrave’s Queen Guinevere in Camelot (1967) and as you of John Mitchum’s two wives in Color Your Wagon (1969) — her last film job application would add such movies as THE PRIMARY Event (1979), Evilspeak (1981), Whitesnake: Live… in the Still of the night time (2005), AN EXTREMELY Brady Sequel (1996) and American Beauty (1999). Within the last pointed out, an Oscar champion for “Greatest Picture,” a eager Annette Bening attempts to market her well-to-do personality a residence. Sue Casey…a survivor atlanta divorce attorneys sense of the term.

Known for movies