Tita Muñoz Net Worth is
$1.2 Million

Mini Biography

Maria Theresa Sanchez Muñoz was created in 1928, the eldest of six siblings, to Miguel Muñoz and Feliza Sanchez. She was dark-haired, fairly, spoke only British and Spanish however, not Tagalog. “Tita” researched at St Wayne Academy and graduated from Lyceum College or university of Manila, having a level in AB Background. Nevertheless, before she graduated, she was wedded for four years for an American. They resided in NY and she offered premature delivery to twins, who passed away. She was frightened and the short marriage was an awful section in her existence. Tita returned to Manila, while a 22-year-old, she appeared for function. Her British speaking skills had been a secured asset, and she visited the newly opened up dzBB radio train station, possessed by Bob Stewart. There have been 100 people in the queue however the Spanish mestiza was employed to displace Rose Bush as the brand new Host of “Homemakers’ Golf club from the Atmosphere.” From thereon, with a short talent charge of Ph. P100 per month, Tita shifted into even more prominent circles. One was a radio work with the famous Vero Perfecto. After that Tita used in dzPI, another radio train station, where she hosted a rival display (of “Homemakers'”), “Women’s Golf club from the Atmosphere.” Tita’s revenue of Ph. P800 per month was an enormous amount currently in the 1950s. Tita in addition has end up being the newest “Camay” woman (Camay was a favorite Filipino cleaning soap brand). Currently a radio celebrity, Tita returned to school to complete her history training course. After graduating, Tita recognized a teaching work that paid Ph. P5.00 one hour, an pathetic amount in comparison to her radio fees that paid Ph. P50 one minute. Tita ultimately became the highest-paid radio skill, getting Ph. P75 one minute. In 1952, persuaded by a mag editor (Ernie Evora) to provide the films a go, Tita reluctantly became a member of the ensemble of “Rosalinda,” starring Rodolfo Ruiz and made by Philippine Performers Management. The film released Tita as the Philippines’ edition of Elizabeth Taylor. Tita after that transferred to Sampaguita Studios to co-star with Pancho Magalona in Kasaysayan ni Rudy Concepcion (1952), where Tita portrayed Elsa Oria. Tita was on the move, and she shortly appeared contrary Cesar Ramirez in Un indio (1953). Due to her Spanish señorita appears, Ms Muñoz performed “Blanquita,” a lovely foil towards the leading female, Nena Cardenas. Ms Muñoz also performed a Spanish señorita foil to Linda Estrella in Teksas, ang manok na nagsasalita (1952), which also starred Magalona, Myrna Delgado and comedian Tolindoy. This is accompanied by Tulisang pugot (1952) contrary Fred Montilla. These movies were a combined mix of dramatic love and occasionally suspense (such as Tulisang pugot (1952), this means “Headless Bandit.”) Tita was showing up in films one following the various other but she was eyeing a fresh medium: Tv. Ms Muñoz, regarding to herself, became the initial (Filipina) woman to seem on (Philippine) tv; she was also the initial production manager, beneath the aegis from the renowned Koko Trinidad. The “First Female of Philippine tv” also produced history with the 1st kissing scene, contrary professional Ronald Remy. Tita broke brand-new surface with dramatic tv shows, including “Sorry, Incorrect Number” adapted from the 1943 American radio by Lucille Fletcher; it was shown being a one-woman teleplay on “Caltex Caravan Presents” and was aimed by Country wide Musician for film Gerardo de Leon. Tita also made an appearance in the Philippine tv program “Balintataw.” Tita continuing to surface in an eclectic selection of movies, including Mad Doctor of Bloodstream Isle (1968) -which was internationally released, and Lilet (1971), both aimed by Gerardo de Leon; Destination Vietnam (1968), as well as the Bad Within (1970), both aimed by just one more Country wide Musician for Film, Lamberto V. Avellana. Country wide Musician for Film Lino Brocka also taken care of Tita for Stardoom (1971), a poignant film on decadent intimate mores from the era. Another Country wide Musician for Film, Ishmael Bernal, aimed Tita in Sugat sa ugat (1983) and Pahiram ng isang umaga (1989), both effective dramatic movies about like and despair. Tita performed mom to Tirso Cruz III in two movies: in “Today” aimed by Lino Brocka, where Eddie Garcia was her hubby, and in Elwood Perez’s Right up until We Meet Once again (1985). In 1991 Tita became a member of the international ensemble of _A Fei jing juen (1991)_, playing the mom of Hong Kong professional Leslie Cheung. In 1992 Tita became a member of the Nora Aunor film Inay (1993), about incest and strained family members beliefs. Tita’s last film appearance is at the Sharon Cuneta film Madrasta (1996), an award-winning and economically succesful film about step-families. She also became a member of the television cleaning soap Sana ay ikaw na nga (2002), as the haughty mom, “Performña Amparo,” from the supplementary business lead male, Eric Quizon, opposing her son’s romantic relationship and impending relationship towards the heroine, performed by Tanya Garcia. Currently, Ms Muñoz lives by itself in her very own condominium device in San Juan, occasionally been to by writer-friends Nestor Torre and Behn Cervantes. Ms Muñoz may be the aunt of Filipino cleaning soap stars Leandro Muñoz and Carlo Muñoz.

Known for movies