Virginia Dabney Net Worth is
$200,000

Mini Biography

Delivered in Atlanta, Virginia Dabney studied dance on the Potter-Spiker college, and during her sophomore season at Washington Seminary she moved to Beverly Hillsides. After participating in Westlake School for women, she began being a ballroom dancer in orchestral displays, before attracting the interest of scouts while playing in two musical comedies on the Mayan Movie theater in Los Sides. Although she under no circumstances desired an performing career, in support of sought ways to support herself and her mom during the Melancholy, by 1932 she was employed in films from Scarface To Forty-Second Road. From mid-1933, Virginia was placed directly under contract being a “stock-girl” at Warner Bros. for just two years, getting $50 weekly, $1700 a 12 months, and having a agreement specifying she cannot add or subtract a lot more than five pounds from her 5’4″, 118 pound framework. During this time period Virginia done many of the musicals of Busby Berkeley, including Platinum Diggers of 1933, Footlight Parade, Styles of 1934, Dames, Platinum Diggers of 1935, and In Caliente; he regarded as her a perfect model and dancer. Virginia was also the poster lady for Dames and Platinum Diggers of 1935. Virginia was also a preferred of dance movie director Bobby Connolly, and actually after departing Warner Bros., she was asked to come back for Platinum Diggers of 1937 AS WELL AS THE King as well as the Chorus Girl. By the start of 1935, Warners had singled Virginia, who also sang, for advancement right into a feature participant, among twelve Berkeley ladies so chosen. Wanting to drop her highlight and improve her elocution, she required conversation lessons with Josephine Dillon, previous wife of Clark Gable. Virginia graduated to little roles, sometimes like a presented performer, freelancing for a number of companies, huge and little, in pictures of most genres, playing reverse celebrities from William Powell to Buck Jones to Barbara Stanwyck, Betty Grable, Alice Faye, Anna Might Wong, and Laurel and Hardy. At that time she was generating $125a week; during 1936 she produced $2434, including $463 at Paramount, $1081 at Warners, $789 from Central Casting, and on the subject of $100 from impartial studios; in 1937, she produced $2041. The neighborhood newspapers in Atlanta gave the career from the homesick home-town girl considerable publicity. Virginia’s old sister Marion, after showing up in the Greenwich Town Follies in NY in 1924-35, and several other plays, left behind dance by 1934 to come back to Atlanta for any profession in radio, after that came to LA to function in the outfit division of Selznick Photos on Gone USING THE Wind. In Apr of 1937, Virginia was cast in the hillbilly comedy Hill Music. She became reacquainted with movie director Robert Florey, whom she experienced met briefly many years previously while playing little bit parts in a few of his Warner Bros. images, Smarty, The Pay-Off, and THE GIRL In Crimson. While directing one picture of Hill Music, Florey was daydreaming of Virginia, and forgot to yell trim, leaving a audience of men working into the length. Both he and Virginia acquired been recently divorced, and neither wanted love, but within significantly less than three months camaraderie had converted into like. Virginia appeared within an increasing variety of Florey’s movies, and two from the images he directed with Virginia starred Gail Patrick, who complained to leading workplace that Miss Dabney was getting better camera sides than she was. By the end of 1939, Virginia was building $250 weekly, but still left the display screen when she and Florey were married in Hand Springs. Their like proved long lasting, with both dedicated to each other for another forty years, and she passed away in the house he previously helped style and build to them during their marriage. During Bob and Virginia’s love, she studied his local French vocabulary and soon became fluent, permitting her in the 1940s to aid her spouse in entertaining People from france filmmakers and help refugees settle in Hollywood and discover function in the studios. Her care and attention helped him to keep up strenuous capturing schedules, particularly through the tv years, and during his pension as his wellness declined. Following the end of World War II, Virginia demonstrated her artistry in yet another way by firmly taking up painting, and winning several awards; her paintings had been also used as decor in a few of her husband’s films, like the Crooked Method and Johnny One-Eye. In 1950, while with Florey, who was simply directing Travels of Captain Fabian in France, she received the adornment from the Purchase of Reconnaissance Francaise as well as the medal of Education Artistique. Her “Journal of the American Gal in France,” an image article using Florey’s snapshots of her, and linked along with the special event of Paris’s 2000th birthday, made an appearance in seven American periodicals with a flow of 8 million. In the 1950s Virginia became a member of in the School Religious Meeting at UCLA, and was chairman from the board from the Women’s Affiliates, and by the 1960s she was energetic whatsoever Saints Epicopal Chapel, chairing various actions and offering as Chief executive of the ladies from the church. In the 21 years after Florey’s death, Virginia could benefit from the revival appealing in his movies and books. She granted complete usage of Brian Taves for his biography of Florey, and she was content when both that publication and Florey’s last quantity on Hollywood background been published concurrently in 1987. She was most excited in the first 1990s when Cinecon screened Florey’s edition from the Desert Melody, and she was presented as the director’s widow–but many in the market also appreciated her as celebrity Virginia Dabney from her 1930s images. Everyone who all knew Virginia was impressed with not merely her personal kindness but also her gracious way and southern attraction. Yet in some way her blond locks and soft highlight have been interpreted by Hollywood casting directors as ideal for a non-chalant gangster’s moll. Probably her largest & most usual part was at Paramount in 1938, playing her quality persona opposing J. Carroll Naish’s mobster in Ruler of Alcatraz, with potential husbands Robert Florey directing and Lloyd Nolan costarring. Virginia’s preferred tale, at her personal expense, was needing to ask this is from the slang “Dummy up,” that was among her lines in her last picture, a 1939 Paramount creation where she was solid as the hard inmate of the woman’s prison, Ladies Without Names. After being widowed, Virginia married Lloyd Nolan, with whom she had appeared in Ruler of Alcatraz, Jail Farm, as well as the Magnificent Scams, but he died from cancer after a brief 3 years. Subseqently, Virginia appreciated seeing a lot of her early images again over the Turner Common Movies cable route, and her beauty continues to be acknowledged by others at TCM, who’ve often selected her visage in brand-new advertisements and documentaries making use of old movie videos.

Known for movies