Alida Valli Net Worth is
$1.1 Million

Mini Biography

Enigmatic, dark-haired international import Alida Valli was dubbed “ANOTHER Garbo” but didn’t surpass postwar expectations despite her awesome, patrician beauty, remote control allure and significant talent. Given birth to in Pola, Italy (right now Croatia), on, may 3, 1921, the child of the Tridentine journalist and teacher and an Istrian homemaker, she examined dramatics as a teenager at the FILM Academy of Rome and Centro Sperimentale di Cinematografia before snaring little bit jobs in such movies as Il cappello a tre punte (1935) [“The Three-Cornered Hat”] and I credited sergenti (1936) [“BOTH Sergeants”]. She produced a name for herself in Italy during WWII playing the name function in Manon Lescaut (1940), gained a Venice Film Celebration award for Piccolo mondo antico (1941) [“Small Old Globe”] and was a crucial feeling in Noi vivi (1942) [“We the Living”]. She briefly discontinued her career, nevertheless, in 1943, refusing to surface in what she regarded fascist propaganda, and was compelled into hiding. Another year she wedded surrealist painter/pianist/composer Oscar De Mejo. That they had two kids, and one of these, Carlo De Mejo, became an professional. She divorced in 1955, after that she returned to Italy, Pursuing her potent, award-winning function in the name role of Eugenie Grandet (1946), she was uncovered and contracted by David O. Selznick to try out the murder believe Maddalena Paradine in Alfred Hitchcock’s The Paradine Case (1947). She was billed during her Hollywood years merely as “Valli,” and Selznick also provided her best femme feminine billing in Carol Reed’s traditional film noir THE 3RD Man (1949), but also for every effective film–such as the types previously mentioned–she experienced such failures as The Magic from the Bells (1948), and viewers stayed apart. In 1951 she bet farewell to Hollywood and came back to her beloved Italy. In European countries once again, she was popular by the very best directors. Her countess in Luchino Visconti’s Senso (1954) was broadly heralded, and she transferred conveniently from ingénue to stunning character roles. Afterwards standout movies encompassed outfit dramas aswell as shockers and acquired her playing from baronesses to grandmothers in such movies as Les yeux sans visage (1960) [“Eye Without a Encounter”], Le gigolo (1960), Oedipus Rex (1967) [“Oedipus Rex”], Sensitive Dracula, or Confessions of the Bloodstream Drinker (1974), 1900 (1976), Suspiria (1977), Luna (1979), Inferno (1980), Aspern (1982), PER MONTH with the Lake (1995) and, her latest, Angel of Loss of life (2002).

Known for movies