Corinna Mologni Net Worth is
$600,000

Mini Biography

Corinna Mologni was created in Milan, Italy. She graduated in timpani and percussion on the Conservatorio Giuseppe Verdi of her hometown, where she also analyzed tone of voice and viola. While taking pleasure in her successful profession as symphonic timpanist, Mrs Mologni continuing her voice research at Conservatoire Country wide Supérieur in Paris with Peter Gottlieb and privately with Renata Scotto, Irina Gavrilovici, Jeffrey Goldberg, Dorothy Irving, Mignon Lollini and Marta Lantieri. Her 1st looks in Italy had been followed by an extended engagement using the Finnish Country wide Opera in Helsinki where she sang a number of functions including Angelica in Orlando Paladino(Haydn); Woglinde and Waldvogel in the celebrated New Millennium creation of Wagner’s Band des Nibelungen ; Adina in L’Elisir d’amore (Donizetti) ; Musetta in La Bohème (Puccini) and Magda in La Rondine (Puccini); Zdenka Arabella (R.Strauss) and Violetta in La Traviata (Verdi), quickly gaining acknowledgement on her behalf excellent vocal technique and her dramatic flexibility. With additional Finnish opera businesses she portrayed the name part of Suor Angelica (Puccini); Lucia in The rape of Lucretia (Britten); Desdemona in Otello (Verdi). Back 2003, she produced the part of Contessa di Folleville in the broadly acclaimed new creation of Rossini’s Il Viaggio a Reims by Nobel Award in Books Dario Fo: this creation was live broadcasted from Helsinki with the Western european cultural TV route Arte. Since that time, Mrs. Mologni feels a nearer affinity with Rossini’s functions and enjoys the task of merging her pyrotechnic coloratura to her powerful stage existence and infallible comic timing. Subsequently, she made an appearance once again as Contessa di Folleville on the Stadtheater Bern, at the brand new Israeli opera in Tel Aviv with the Staatsoper Hannover. Her various other Rossini’s roles consist of Comtesse Advertisementèle in Le Comte Ory (contrary tenor Laurence Brownlee) on the Teatro Comunale di Bologna; Isabella in L’inganno felice beneath the baton from the world-renowned Rossini expert Alberto Zedda for the re-opening from the Hystorical Kurtheater on the 2005 Rossini Celebration in Wildbad (including Compact disc live-recording for Naxos) and Sofia in Il Signor Bruschino on the Opéra de Lausanne. Among her various other career highlights body the assignments of Elvira in I Puritani (Bellini); Antonia in Offenbach’s Les Contes d’Hoffmann on the Stadttheater Bern; Lauretta in Puccini’s Gianni Schicchi at Opéra de Lausanne; Nedda in Pagliacci (Leoncavallo) at Aalto Movie theater Essen; Desdemona in Otello at Rimsky-Korsakov Theater in St Petersburg; Cleopatra in the market and vital acclaimed creation of Händel’s Giulio Cesare in Egitto at New Israeli Opera in Tel Aviv; Anne Truelove in Stravinsky’s The Rake’s Improvement on the Teatro Massimo di Palermo where she also made an appearance in the ballet I’ve a desire alongside Globe Ballet Celebrity Carla Fracci. At Grand Théâtre de Genève she portrayed the tasks of Despina in Così lover tutte, and of Servilia in La Clemenza di Tito (reverse Mezzosoprano Joyce Di Donato), which she also interpreted at Opéra de Caen. She made an appearance as Zdenka in the celebrated R.Strauss Arabella creation in the Théâtre du Châtelet in Paris alongside Karita Mattila and Thomas Hampson. Additional looks included her début in the Rossini Opera Event in Pesaro using the part of Weltgeist in Mozart’s Pass away Schuldigkeit des ersten Gebots,( unique creation for the Mozart yr 2006); Macau Music Event as Susanna in Le Nozze di Figaro; Event Mozart de A Coruña as Autonoe in Sartorio’s L’Orfeo (granted the Premio Lírico Teatro Campoamor 2006 in Spain for Greatest new creation). Since her Traviata début in the entire year 2000 in the Finnish Country wide Opera, Violetta quickly became among her signature tasks where she appears frequently which she lately came back to portray in Helsinki, Genève, Lausanne, Bern, Basel, Lugano, Innsbruck and Chisinau. Mrs. Mologni is definitely similarly noteworthy in her symphonic concert engagements, that have included Rossini’s Stabat Mater with Tapiola Sinfonietta , Mozart’s C-moll Mass, Mahler’s 2nd Symphony using the Helsinki Philharmonic Orchestra, the Opening-Gala Concert in the Festspielhaus Baden-Baden using the SWR Symphony Orchestra as well as the documenting for the record label Stradivarius of En Archè by Ivan Fedele for soprano, violin and Orchestra using the RAI Country wide Symphony Orchestra. She’s documented for RAI Radio3 (Italy), RNE Radio Clásica (Spain), YLE Television (Finland), Stradivarius and Naxos.

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