John Rodd Net Worth is
$950,000

Mini Biography

Based in LA, John Rodd is certainly a freelance music documenting engineer for film, TV, and video gaming. He spent some time working on film and Television tasks with composers including Cliff Martinez (The Lincoln Attorney), Frederik Wiedmann (Justice Group: The Flashpoint Paradox), Dave Porter (Breaking Poor) and Ryan Amon (the upcoming $100 million summertime blockbuster Elysium), and on many best video gaming including Contact of Responsibility: Dark Ops II, Mass Impact 3, Assassin’s Creed Revelations, Assassin’s Creed II, and functions thoroughly with Blizzard Entertainment in the Wow series. Rodd’s love from the alchemy between music, artwork, and technology initially led him to film college in his local Canada, where he continued tinkering with music blending, sampling and synthesis. After school Rodd visited function for 5 years at a documenting studio room in Canada, where he caused top rock and roll, folk, and jazz performers and film composers including Howard Shoreline, John Debney, and Angelo Badalamenti. After some world travels and freelance engineering function in Britain, Rodd relocated to LA in 1996. Sea Method Studios in Hollywood brought him to LA where he caused performers including Eric Clapton, Michael Jackson, Whitney Houston, Ry Cooder, Madonna and users from the Rolling Rocks, The Crimson Hot Chili Peppers, Porno For Pyros, and on many orchestral classes. The next year Rodd still left to be the orchestral scoring recordist at 20th Hundred years Fox’s legendary Newman Scoring Stage on such films as I, Robot, THE FINAL Samurai, Spider-Man 2, Pirates from the Caribbean, The Matrix (trilogy), Solid Away, X-2, Jurassic Recreation area III, The Bourne Identity, Street to Perdition as well as the Sixth Sense prior to going freelance in 2004. Like a freelance engineer, Rodd information, mixes and experts music, focusing on everything from main studio feature movies (Elysium) to indie movies (Initially), tv (Breaking Poor), gaming projects (Contact of Duty: Dark Ops II), as well as for numerous CDs and soundtrack recordings. While his niche is definitely orchestral tasks, Rodd has considerable experience recording, combining and learning all styles of music. He’s an expert concerning critical technical information such as framework prices, pre-records, and 5.1 surround mixing. From your solo singer towards the gospel choir, from your string quartet towards the 100-piece orchestra, from score to rock and roll, electronica and jazz, Rodd is equally comfortable dealing with acoustic performances, virtual-instrument tasks, or hybrids of both. Rodd functions at a multitude of recording and mixing studios, and recently opened up his own studio room around the Westside of LA. The spacious fresh studio (constructed from the bottom up, and created by a world course acoustician) features outstanding acoustics, a lot of natural light, which is well built with a massive assortment of boutique outboard equipment, and ProTools HDX-2 for documenting, stereo system and surround blending, and mastering function. Rodd is quite mixed up in film credit scoring community in LA, volunteering his period to supply educational workshops and lectures for The Culture of Composers and Lyricists as well as the ASCAP Credit scoring Workshop. Rodd can legally function in the U.S.A., the E.U., and Canada with out a work visa. In 2007, Rodd was nominated “Best Rating Mixer” with the Film and TV Music Awards.

Known for movies