Rob Wagner Net Worth is
$400,000

Mini Biography

Rob Wagner, who helped pioneer film criticism and insurance coverage of the market along with his influential journal, Rob Wagner’s Script, began his profession much less a journalist and filmmaker but while an artist. Created in Detroit, Michigan, in 1872, Wagner was the next of four kids created to Robert Wagner and Mary Leicester Hornibrook Wagner. He graduated through the College or university of Michigan in 1894 having a level in executive. Abandoning any purpose to become an engineer he became an illustrator for the Detroit Totally free Press and the brand new York publication, The Criterion. He also was a skill editor for Encyclopedia Britannica in London from 1900-02. In 1903, he wedded Jessie Willis Brodhead in Detroit and moved to Paris to review art at Academies Julian and Delecluse. During 1904 he colored portraits in Detroit. Along with his wife experiencing ill wellness, he relocated to Santa Barbara in 1906, where Jessie passed away eight months later on. He continuing to color portraits of several of California’s most prominent residents, including article writer Stewart Edward White colored. By 1910, he relocated to LA and immediately became thinking about the infant talent of movies. His cousins, Jack port and Blake Wagner, had been already involved with films working on / off for D.W. Griffith when he was filming in California. Wagner’s initial film was “The Artist’s Sons” (1911), an autobiographical tale about his bohemian way of life as an designer. It presented his two sons, Leicester and Thornton Wagner, and far of his personal artwork. Soon after the debut from the film he fulfilled and wedded Florence Welch, a Kansas newspaperwoman. Wagner required a job being a instructor at Manual Arts SENIOR HIGH SCHOOL and counted Frank Capra and potential famed World Battle II aviator Jimmy Doolittle as his learners. He aimed and created a documentary in the Los Angeles college system entitled “Our Wonderful Institutions” (1915) and provided Capra his first film work as a staff hand. During this time period he turned from family portrait painting and teaching to composing, penning some articles in the film sector for the Sunday Evening Post, that was eventually compiled right into a reserve, “Film Folk” (1918). The series helped to revive a sagging sector that was struggling economically before Globe War I. By 1918 he was an excellent friend with Charlie Chaplin, becoming his publicist and confidante. He released Chaplin to early leftist politics causes, including a number of the leading lamps of your day such a Maximum Eastman and Upton Sinclair. He published early and frequently about Chaplin as well as penned an early on biography from the filmmaker, but shelved the manuscript at Chaplin’s demand. Wagner believed that if he were to create with authority around the industry, he’d need to participate more in filmmaking. He briefly worked well for Mack Sennett like a gag article writer, and shifted to Hal Roach Studios to immediate some short films offering Will Rogers. He also was under agreement for Famous Players-Lasky where he published for or aimed some minor movies. He also was connected with acting professional Charles Ray. Through the entire 1920s, he continued to create for various publications, including Liberty, Photoplay and other journals. In 1929, he founded Rob Wagner’s Beverly Hillsides Script, which afterwards became merely Rob Wagner’s Script. The mag highlighted comment and features on film, artwork and books. Wagner hardly ever paid his authors, but provided many film superstars a forum because of their views. It had been also known as the Western world Coastline New Yorker. Among Southern California’s top notch adding to Script had been Chaplin, Sinclair, Will Rogers, Edgar Grain Burroughs, Potential Brand Louis L’Amour, Ray Bradbury and performers Stanton McDonald Wright and Leo Politi. Often Wagner, who was simply an ardent Socialist, opened his magazine to explore politics issues. He provided Upton Sinclair reasonable protection of his bet for governor of California in 1934 when almost every other information businesses refused. And he released the controversial last conversation from Chaplin’s “THE FANTASTIC Dictator” in 1940. In 1942, Wagner died of the coronary attack in Santa Barbara along with his wife and brother, Wayne R.H. Wagner, at his part. His child, Leicester, overran the publication for a brief period. His widow continuing posting Script until 1947 when it had been offered to Robert L. Smith, general supervisor from the LA Daily Information. But without Wagner, the publication lost its character. It folded in 1949.

Known for movies